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  Aldo
Spadoni, President of Aerospace Imagineering, is an MIT graduate
with extensive experience as an aerospace engineer, conceptual
designer, and futurist. Aldo has contributing to the conceptual,
prototype, and production design of numerous advanced aircraft,
missiles, and spacecraft For NASA and The U.S. Armed Services.
At Northrop Grumman Aerospace Systems, he
created and currently manages the Engineering Visualization
Resource (EVR), a dedicated creative team tasked with
envisioning the future of aerospace technology, using computer
based engineering and Hollywood style visualization tools.
Aldo holds patents for advanced sensor
systems and trauma care technology.
As a technology consultant to the
entertainment industry, Aldo supported the production of APOLLO
13 (the movie), James Cameron’s TITANIC, IRON MAN, IRON MAN 2,
and other motion picture projects. Working with partner Peter
Barnett, he created the initial conceptual designs for the
advanced aircraft seen in the movie STEALTH. He is working with
authors such as Larry Niven to visualize the amazing
technological visions of hard science fiction. Aldo’s personal
goal is to create compelling visions of humanity’s space faring
future.
  Aerospace
Imagineering, founded in 1991, is a consulting company
specializing in the conceptual design and visualization of
advanced technology concepts. Esthetic considerations are
blended with real world science and engineering to create
advanced design concepts that are technically credible and
visually dynamic. Aerospace Imagineering is currently engaged in
exciting projects in support of aerospace, new product
development, and entertainment industry applications.
Although Aldo is an aerospace engineer, he is
also an accomplished space artist. Aldo is a Fellow of the
International Association of Astronomical Artists (IAAA) and has
served on its board of trustees. Examples of his artwork are
shown below.
Aldo Spadoni on LinkedIn
Aldo Spadoni on International Space Art Network
Aldo Spadoni on The Incompleat Known Space Concordance |
