 Julie’s interest in art and astronomy started 
				at an early age.  As a young child, coloring was passion.  
				Hearing about Sputnik as a young child, following the US space 
				program from its inception and discovering astronomy in middle 
				school spurred her interests.  Julie’s father took her 
				weekly to telescope making sessions where during middle school 
				she built a large telescope. (See 
				the full story here) In high school Julie discovered she had 
				a real love of art but did not pursue it due to commitments to 
				science and her first and only other career at the Lawrence 
				Berkeley National Lab (LBNL: www.LBL.gov) which she began as a 
				research technician in high school.
Julie’s interest in art and astronomy started 
				at an early age.  As a young child, coloring was passion.  
				Hearing about Sputnik as a young child, following the US space 
				program from its inception and discovering astronomy in middle 
				school spurred her interests.  Julie’s father took her 
				weekly to telescope making sessions where during middle school 
				she built a large telescope. (See 
				the full story here) In high school Julie discovered she had 
				a real love of art but did not pursue it due to commitments to 
				science and her first and only other career at the Lawrence 
				Berkeley National Lab (LBNL: www.LBL.gov) which she began as a 
				research technician in high school.
				Julie drew casually throughout college, 
				during her career at LBNL and while raising a family.  Her 
				work at the Lab turned to the business aspects of the 
				institution, writing contracts for LBNL’s collaborative research 
				and development with other research institutions and contracting 
				with the former Soviet States for the United States'
				
				Initiative for Proliferation Prevention..  Though 
				fascinating, Julie missed the creativity she had discovered in 
				art and in 1998 began to draw again.  She was encouraged by 
				inquiries made at a local framing shop when a customer came in 
				to have some of her art framed.
				
				
				Julie and some of her liturgical banners 
				incorporating some of her space art.
				Julie studied traditional media at the 
				Berkeley School of the Arts with Gwyneth Welch, Lien Truong and 
				Arngunnur Yr.  She also had a love of astronomical imagery 
				but hadn’t considered pursuing space art until one day when she 
				saw a fantasy image drawn by her son, Ross, then in Jr. high 
				school.  That was the catalyst. (Julie was actually a fan 
				of Dave Archer and owns several of his pieces!)
				
				
				Julie in an EVA suit.
				(The complete story lies solely 
				with Aldo Spadoni of the IAAA.)
				Julie’s art can now been seen throughout the 
				United States and overseas.  She has received numerous 
				awards and honors for both her astronomical art and her flowers.  
				She has had commissions from corporations and has had book 
				covers and web site art commissioned. Her work has been seen in 
				magazines such as the Mars Quarterly, Mercury, The Planetary 
				Report, in newspapers such as USA Today, on the web in dozens 
				locations, on TV, in books including Women of Space: Cool 
				Careers on the Final Frontier, and in a variety of commercial 
				and non-profit applications (Reno Film Festival, Ironstone 
				Vineyards, National Graves Disease Foundation, Healing Journeys, 
				Neighbors Without Borders, NAATPN) and in homes of art 
				enthusiasts.  Julie’s art is also now seen in churches 
				across the US and abroad as banners and ministerial stoles which 
				has been a primary emphasis since 2005. It incorporates a 
				significant amount of her space art.
				Julie is a member of the International 
				Association of Astronomical Artists (IAAA: www.IAAA.org) Julie’s 
				style is what IAAA members have dubbed as "swirly" and though 
				based on actual phenomena, her work often expresses the emotion 
				of the magnificence of space rather than scientific 
				illustration.
				After a thirty-three year career, Julie left 
				the Lab in 2003 to pursue her art full time.  She and her 
				old loves are now inseparable. Julie now lives north of Sparks, 
				NV in the high desert along with her husband Curtis and enjoys 
				the assistance of her son and part-time art partner, Ross, and 
				watching her grandson Kale grow up.